Why (I Think) Writers Are Miserable

November 28, 2007

Stay with me here (I’m still figuring this out):

Last week we were invited by some friends to join their Thanksgiving festivities. One of the other guests (I’ll call him Chuck) was an aspiring Hollywood writer. I know this because it was impossible for anyone in attendance to avoid learning this. Or avoid learning how many spec scripts Chuck has written. Or avoid hearing again how tough it is for Chuck to get a break in this business.

This guy annoyed the crap out of me.

Now wait – wait a second. This post is NOT a mean-spirited rant about this guy or how miserable he is. Read the rest of this entry »


Random Question #22

November 23, 2007

If you had a time machine, would you go forward or back?


The Strike (And Me) Part One

November 20, 2007

As the WGA strike enters its 4th week, things get more and more interesting around here. And by “here,” I mean the fringes of the business. With the strike, writers can’t write or submit anything and studios can’t read or buy anything. So… where does that leave all the agents?

If no deals are getting done and no money is changing hands, agents are starting to feel the squeeze. After all, 10% of nothing is nothing. But agents have one thing to look forward to: the after-strike euphoria. The longer the strike goes on, the longer there is nothing getting produced or bought or scheduled, the bigger the vacuum that is created. And once the strike ends, there will likely be this huge frenzy of buying and shooting as studios try to fill that pipeline with quick and constant product before dead air hits the TV and multiplex. At least, that’s what everyone is counting on.

So if you were an agent, and none of your existing clients will write anything new during a strike, and yet you want to accumulate as many scripts as you can to have ready to feed to this hungry beast once the fast is over, what do you do with all this free time brought to you by the strike? You go look for new writers to represent. And that means… Robb (and a hell of a lot of other writers on the fringes of legitimacy).

Since the strike began on November 1, my script downloads on inktip.com have picked up a little. I am sure there is a ton of increased traffic on the site, and I am getting a modest number of eyeballs. I’d been keeping an eye this and didn’t see anything to get excited about – until today. William Morris – one of the biggest and most powerful agencies in the business – today downloaded both my scripts on the market, Aftershocks and I Hate That Guy!. This is easily the biggest player to check out me and my stuff in quite a while, probably ever. This could be good – Supervillain is still under option, which looks good on my inktip resume as people check me out. And as Supervillain’s producer told me the other week, a financing deal for Supervillain may benefit from the building vacuum as well. The key is that these two sides could feed off each other, each one creating heat and legitimacy for the other. We’ll see.

Could be good.

Now, to bring myself down from this nice moment: Just imagine if I had more COMPLETED scripts to put up on inktip… like Psycho Ex or Dead Guy

Sigh.


Random Question #21

November 16, 2007

What do you most like to think about?


Supervillain Update

November 9, 2007

I know everyone out there is hearing about the writers’ strike and thinking, “yeah, yeah, DVDs, residuals, internet – but how does it affect ROBB?!” I thought the same thing. So I emailed the producer who has optioned my script and asked her. Here’s what she said:

>>It’s hard to peg exactly how the strike will affect everything, but it could very well be helpful. We’re definitely still trying to find a home for Supervillain. We even have a potential investor for 85% of the budget if we can find the other 15%.

>>…the strike could end up being helpful, since there will be a lack of content in the market soon, but the tricky part is that November & December are the lightest buying months anyway, so a lot of places are just holing up and waiting to see if the strike is over by the new year.

So… 85% of the budget is there – anybody want to make an investment?

Hey, if we sell the house


Why Do Blogs (Mostly) Suck?

November 8, 2007

A friend of mine (the friend who issued The Challenge and who later did that write-up of me and who runs her own business) gets frustrated with me. Why? Well, because I have a complicated relationship with blogging (among other things).

Some people make money and even a living through blogging. I’m a frustrated writer and I have a blog, so she wonders why I don’t do this, or at least try to do this. I don’t market myself or my blog, and although intellectually I know you have to market yourself and your writing, and hard, I have an immediate skepticism and distrust (disgust?) for people who do.

In an ideal world, it’s all supposed to be on the page. If the writing’s good, people are supposed to show up. And if the writing is no good, people aren’t, and you are supposed to learn from this. But we all know where this is going.

Call me a jerk (okay, you’re a jerk), but in my opinion almost all blogs are embarrassing, a cross between PLEASE READ MY DIARY and throwing up. Like this. Many are people trying to flog their businesses, and after the first 4 or 5 posts of “this is how we make it happen!” and “you too can be a customer!” they really don’t have anywhere else to go – although they do keep going. And going. But I did say “almost” all blogs – I subscribe to a few blogs and they are invaluable. But the other 99.99% are all crap. An endless multiple-posts-per-day crap-fest.

So then why do I have a blog at all? Many reasons – one of which is probably to prove that I am better than most bloggers. I try to put fairly meaningful stuff out there for potential discussion. And this post could use some of that right about now.

Why do people blog anyway? To get attention, mostly. And again that raises my skepticism/disgust. People saying “look what I can do!” like we’re still in third grade, checking their blog stats for some measure of status. But wait – why do I write? If I am disgusted with people’s lame attempts for self-importance by blogging a bunch or useless diary diarrhea, aren’t my scripts – or at least all my talking about my scripts – the same thing? Is this post meaningful or just mental masturbation?

Talking/blogging about the process keeps me thinking about it, keeps my ideas flowing, but is that all? And even if it is, why? WHY does it keep me motivated and keep me on my toes? Because somebody may be watching?

Do “creative people” get attention because they are creative? Or are they only “creative” because they need attention?

And did I mention that other peoples’ blogs (mostly) suck?


It’s Theirs!

November 8, 2007

Got the call – escrow has finally CLOSED on the condo! Only 8 days late. We (more importantly, our buyer) survived the credit crunch. YES!

Okay, back to unpacking…


Random Question #20

November 8, 2007

Are you pretty much, like, screwed?


About The Strike

November 5, 2007

I am watching the writers’ strike pretty closely, both as a writer trying to get into the guild and also as an observer of economic evolution. This is tectonic plate stuff we are watching here, the crisis of an entire economic model. Anyway, I haven’t posted anything about it (out of fear of sermonizing) but then today a friend did something foolish: she asked my opinion. She emailed me this link to Suicide by Strike, a blog entry by Marc Andreeseen, the founder of Netscape and current founder of Ning, in response to an article on the strike in the New York Times. Here’s what she said:

Robb – what are your thoughts on this article?

A strike by Hollywood writers began in New York just after midnight Monday…

[M]ore than 12,000 screenwriters represented by the Writer Guild of America West and the Writers Guild of America East in the early morning hours in New York began the first industry-wide strike since writers walked out in 1988. That strike lasted five months…

Throughout the weekend, guild leaders held orientation meetings for strike captains, who would supervise picketing teams, and otherwise prepared for an effort to shut down as much movie and television production as possible…

The sides have been at odds over, among other things, writers’ demands for a large increase in pay for movies and television shows released on DVD, and for a bigger share of the revenue from such work delivered over the Internet.

So imagine you’re a major media mogul, a captain of the film and television business, a shaper of global culture, one of the anointed few who can green-light major entertainment projects.

You’re faced with a massive, once-in-a-lifetime shift in mainstream consumer behavior from traditional mass media, including film and television, to new activities that you do not control: the Internet, social networking, user-generated content, mobile services, video games. It’s been snowballing since the mid 90’s, for like 12 years — 12 years of denial and obfuscation — but it’s really rolling fast now.

Many of your current lifeblood properties are not growing anymore or are in outright decline, and you don’t own enough of the vital new properties to offset that, nor are you certain how you would make money with the new properties even if you did own them. And the consumers you rely upon for revenue are so frustrated with your company’s inability to supply them with what they want, when they want it, that digital piracy of your content has become mainstream and socially acceptable behavior practically overnight, and all of your efforts to stop it seem to only make it worse.

And your company’s culture is not prepared to deal with the shift. Your company was founded 50 or 80 or 100 or 150 years ago by different people in a different time, and the overwhelming majority of your people now — smart and well-meaning managers and bureaucrats, but still managers and bureaucrats — have to be retrained and reoriented toward entrepreneurial thinking in a viciously dynamic and startlingly fast-changing world not of your, or their, creation.

Is this really the right time to pick a fight with the writers over royalties from DVD and Internet sales, leading to an industry-wide shutdown and massive economic pain for all sides in the world of traditional scripted film and television content?

Really?

If you’re a mogul, the key question has to be, what would the founders of my industry have done in this situation? Really, what would they have done? Thomas Edison, Darryl Zanuck, Jack Warner, Irving Thalberg, Adolph Zukor, David Selznick, Louis Mayer, David Sarnoff, Bill Paley, Walt Disney… presented with such a period of profound change and global market expansion, would they have declared war on the writers of all people or blamed Apple of all companies for their problems, or would they be charging ahead and developing new businesses, new forms of entertainment, new markets, and new sources of revenue?

In a nutshell, would they have crawled into a hole of protecting the status quo or would they be forging a new, exciting, optimistic future through force of will and creativity?

Why aren’t you doing what they would be doing?

If you, like me, are just a normal and normally happy consumer of TV shows and movies — at least when you’re not equally happily playing video games, surfing the Internet, networking socially, blogging, or kicking it with your IPod — then one day your grandchildren are likely to ask you, “Hey, old man, I learned in school today that there used to be these companies called ‘studios’, and they would actually spend tens or hundreds of millions of dollars making scripted entertainment, and you would actually sit still, in a chair, and watch it — whatever happened to that?”

And you’ll get to say, “Well, it’s complicated, but let me tell you a little story about the writers’ strike of 2007…”

Here’s what I said (I did get a tiny bit evangelical…)

A very good article. The writer is correct but the connection that he doesn’t make is that those guys who built the industry were entrepreneurs who ran private companies who could risk it all. The moguls that the article is addressed to are not individuals anymore – they are multinational public corporations.

The truth is that the guys who made Hollywood WERE faced with earth-shattering Read the rest of this entry »


FREE Screenwriting Software

November 1, 2007

How’d you like a near-clone of Final Draft – for FREE?! Go to celtx now. Index card mode, Final Draft-style reports, and more. And it’s FREE!

I discovered this on another blog – I’m importing Psycho Ex as we speak (more news on the script soon – and it ain’t good).